Glacier lesson plan

Glacier WS

Glacicer lesson-FINAL

This lesson encompasses Cultural Standard E. The standard says: A culturally-responsive curriculum situates local knowledge and actions in a global context.  In my glacier lesson, I help bring awareness and relevance to Mendenhall glacier, which is a currently retreating glacier here.  The discussion part starts with Mendenhall’s changes over time and what kind of rates the glacier has been retreating. This is followed with a video and lots of pictures.  This discussion would lead into topics about climate change and how they have a direct impact on the local and global environment.  It’s important that a take-home message includes how they can improve these condition in their community or across the world.  This part of the lesson embodies 1. encourages students to consider the inter-relationship between their local circumstances and the global community.

It’s absolutely key that the students understand “think globally, act locally” during this lesson and discussion on climate change.  The lesson has many references to Mendenhall, but only because it is a place-based lesson to help them realize what is going on in their backyard.  Once they grasp the local concept, they can apply that information directly to the communities around the world.

The second part of this lesson is about understanding glacier mechanics.  They will be exploring with a model how glaciers move and carve out much of SE Alaska and the features that are left on glaciated landforms.  Their deeper knowledge of how glaciers influence landforms is applicable to the world (SE Alaska is not the only place with glaciated land).  You can read more about the lesson plan on the link above.  Glaciers are schweet.

“Cultural Curators” Full Lesson Plan

Unit: “Cultural Curators”
Lesson – “Through the Looking Glass”
Developed by: Chris Won
Adaptable use for: High School Social Studies – World History/AK History
Approximate time*: Option A (1 Day + 1.5 hours); Option B (2 hours)

Standard(s) addressed:
Culturally Responsive Curriculum Standard A:
A culturally-responsive curriculum reinforces the integrity of the cultural knowledge that students bring with them.
1. By having students discuss as individuals and as a group, their intentional decisions on how to write a museum description for an object, students will see how their own personal values may shape the style of their writing. (Ex. A student might see a sword and think that it represents strength, whereas another student might see that and associate it with violence)
2. By questioning the validity and truth of the museum description panels, students may go beyond the function/use of an object, and examine the processes that goes into the act of preserving that item.
3. By showing the dichotomy of having a contemporary Western institution display the living culture of indigenous populations may provoke students to think critically about their local culture and how it is being presented to outsiders.
4. By discussing with the group how students choose to see an object and its unique meanings, students may come to respect the differences in opinions and how one’s upbringing may affect one’s perceptions on an artifact and/or its history.
5. By visiting institutions in their respective towns, students may see how their local systems work towards preserving culture and see how these decisions may be affected by politics and culture of the peoples living in their region.

Key concept(s): Cultural preservation, museum politics, cultural appropriation, cultural bias.

Essential Questions:
Unit-wide EQ: What is the appropriate way of preserving culture?
Lesson-specific EQ: What is the significance of museums in our society?

Full PDF Link: ChrisWonLessonPlan

IMG_2488Image A – Giinaruaq Mask

IMG_2483 (1)Image B – Mask Description

Confederate_Rebel_Flag.svgImage C – Confederate Flag

21'_ASP_BatonImage D – Police Baton


Image Sources:

(Image A – Giinaruaq Mask)
Alaska State Library Archive Museum
||-A-1559, ||-A-1560, ||-A-1564

(Image B – Mask Description)
Alaska State Library Archive Museum
||-A-1559, ||-A-1560, ||-A-1564

( Image C – Confederate Flag) https://upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Confederate_Rebel_Flag.svg/2000px-Confederate_Rebel_Flag.svg.png

(Image D – Police Baton)
https://upload.wikimedia.org/wikipedia/commons/c/cd/21’_ASP_Baton.jpg

(Cover Photo)
https://upload.wikimedia.org/wikipedia/commons/7/77/Vienna_-_Natural_History_Museum_-_6208.jpg


Additional Resources:

“Museums are Terrifyingly Inaccurate”
Link: http://modernnotion.com/museums-are-terrifyingly-inaccurate/
Description: Editorial article on how museums often mislabel their displays.

“Current Biology”
Link: http://www.sciencedirect.com/science/article/pii/S0960982215012282
Description: Oxford University Study publication that the “Museums are terrifyingly inaccurate” article refers to.

“Museum Meanings”
Link: https://www.routledge.com/Museum-Meanings/book-series/SE0349
Description: Series of books that touch upon various subjects on museum politics, such as the affects of colonialism on the artifacts/museums, and museum accessibility issues.

 

Retelling Myths

Lesson Plan – Aleut Myth – 680

“Retelling Aleut myths” is a lesson plan (LP) that I believe embodies the culturally responsive curriculum bullet B, specifically the followin part:

B. A culturally-responsive curriculum recognizes cultural knowledge as part of a living and constantly adapting system that is grounded in the past, but continues to grow through the present and into the future.

1. Recognizes the contemporary validity of much of the traditional cultural knowledge, values and beliefs, and grounds students learning the principles and practices associated with that knowledge;

The LP requires students to interpret Aleut myth and   deconstruct its deeper meaning.  Through discussion, students will analyze questions posed to them and integrate new knowledge from their deep reflection.  I believe through this discussion students  will come to recognize the value and validity of the “traditional cultural knowledge and beliefs”.  I would go so far as to say they will correlate that knowledge with their current principles and practice, linking in their mind that cultures are a living thing.  They do not just live in the past, but they effect us today in the present and have implications for the future.

Students will formulate and create their own “Myths” that recognize similar principles from the traditional myths, but that is set in their own vision. They will then role-play and act out student’s skits, thereby demonstrating their take of the chosen myth.  This activity integrates storytelling, which I believe is an important skill, especially within the Social Studies realm.  Everyone has a perspective in history, and for students, I hope to expose them to as many culture’s stories/history’s as possible.  More exposure = more knowledge to gain a well rounded experience.

 

Oral Traditions Lesson Plan

Oral Traditions Lesson PlanStrong Man

My lesson embodies Cultural Standard D

1. draws parallels between knowledge derived from oral tradition and that derived from books;

2.engages students in the construction of new knowledge and understandings that contribute to an ever-expanding view of the world.

I tried to scaffold my lesson so that students would be able to understand the significance of all oral traditions – to see that they are more than just bedtime stories but a way in which a people can pass on their cultural knowledge and values to the next generation. I think having an Elder tell the story of Kagaasi initially, would help create those connections for students. Actually getting Ishmael Hope in the class to discuss how these traditional stories have influenced him in his life would be even better.

As far as constructing new knowledge and developing an ever-expanding view of the world, I tried to address this standard with the culminating project. I had a very diverse Anchorage school system in mind when I was planning this out. This is why I wanted students to be able to select a folktale from around the world. So the lesson is grounded in Alaska native culture but I want them to also look beyond Alaska. I am hoping that by digging for some historical and cultural context surrounding their chosen folk tale they will come to appreciate the stories in deeper, more meaningful way. And creating their own stories will allow them to process how these themes and values translate to modern day.

 

 

Methods Of Adapting To Changes In The Arctic

275052main_seaicestill1_HIFor this lesson plan I would like students to gain an understanding of how both western and indigenous cultures use observation and experimentation as a basis for their scientific methods. My essential question is basic:  What methods do people use to find solutions to problems? This lesson is most closely tied to the Culturally Responsive Curriculum Standard B: A culturally-responsive curriculum recognizes cultural knowledge as part of a living and constantly adapting system that is grounded in the past, but continues to grow through the present and into the future. In essence this lesson is all about “methods of adaptation”.

Unfortunately, a wealth of indigenous wisdom has been lost only because they weren’t first with guns, germs and steel. So, I  highlighted some of that lost wisdom in my lesson plan, mostly through the work we read in class by Angayuqaq Oscar Kawagley and Ray Barnhardt.

In this lesson I tied the western scientific method to the way indigenous cultures perform their science while highlighting the example of how Inupiat culture has adapted to climate change. In the first part of the lesson I bring in an elder(s) or community member(s) to talk about two main questions: 1. How they pass down knowledge? How do they make sure it is accurate? 2. What environmental changes have they have seen in the arctic. How have they adapted to those changes. For the second part we looked at the essential question of What methods do people use to find solutions to problems? I touch on the fact that we all use the scientific method for finding solutions to our conundrumRocket-Engines-300x300s. The scientific method is not rocket science but can be used to build a rocket! Click on the link below for a pdf of my full lesson plan.

Methods Of Adapting To Changes In The Arctic

Lesson Plan & Additional Resources

LessonPlan – Lewis Additional Story Resources

D) A culturally-responsive curriculum fosters a complementary relationship across knowledge derived from diverse knowledge systems.

(1) draws parallels between knowledge derived from oral tradition and that derived from books.

This lesson takes the knowledge and information of the elders or culture bearers and combines it with that of written knowledge. The stories that will be examined in this lesson will be told via oratory, but can also be read. I feel that it will be more culturally responsible to include culture bearers into the classroom.

Not only do the culture bearers have the information told in their stories, but they will also have background knowledge of the area that they’re from. Students can learn so much from elders and culture bearers; this lesson will try and harness some of this knowledge.

Interior Alaska, Contemporary Fiddle Music

Athabascan Fiddle, Contemporary. MJ

The past three weeks has been quite a journey! I chose to study cultural elements of Interior Alaska with no prior knowledge of the region. I was so surprised to discover that fiddle music was an integral part of music in Athabascan and Gwich’in cultures. I have been teaching violin in Juneau for four years, but I had no idea there were similar programs in Fairbanks. I hope to find a way to connect to other fiddle programs that focus on youth and community outreach through my program at UAS and as a future music teacher in Juneau.

These past three weeks, we have been studying the Alaskan cultural standards, specifically the five curriculum standards. For my lesson I have focused on Standard B, which states:

A culturally responsive curriculum recognizes cultural knowledge as part of a living and constantly adapting system that is grounded in the past, but continues to grow through the present and into the future.

My lesson achieves this standard by researching current people and activities within the Athabascan community through modern media;          I focused on organizations that could easily be researched online. There are Facebook and Youtube video links to current organizations and people.  Students also achieve this standard by creating a link between the Athabascan arts organizations and arts organizations representing the students’ cultures and communities.

If teachers, or students, would like to do further research, there are some excellent texts listed within the iBook chapter (Interior Alaska, 20th-21st Century Athabaskan Fiddle). Athabaskan fiddle history prior to the 20th century may be found on Ruth Hogle’s blogpost.

 

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